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In celebration of Black Historical past Month, I’m turning the highlight on the unbelievable fashion, innovation, and cultural affect that Africa and African People have dropped at the world of trend — as a result of, let’s be trustworthy, the trade could be fairly boring with out that brilliance.
African Prints
Vlisco African dashiki print. (Picture credit score: Perelman Museum, Philadelphia)
When somebody says “African gown,” most of us immediately image the dashiki—a wonderful, loose-fitting prime that appears prefer it’s single-handedly retaining the colour wheel in enterprise. However right here’s a twist: these vibrant prints you’re keen on didn’t really begin in Africa. Nope. They’ve acquired a world backstory spicier than a pot of jollof rice.
African prints, also called wax prints, are the commercial descendants of historical batik patterns—hand-drawn, hand-blocked, and hand-dyed designs that go all the best way again to Eighth-century China and India. By the thirteenth century, Java’s island artisans thought, “We will make this even higher,” and refined the method to perfection. Quick-forward just a few hundred years, and two European corporations—ABC (a British wax-print maker that migrated to Ghana) and Vlisco (sure, the Dutch acquired in on it too)—ended up making a booming marketplace for these prints in West Africa round 1867.
Trendy Wax Print by Vlisco. (Picture credit score: Perelman Museum, Philadelphia)
From there, the story solely will get extra trendy. African merchants, particularly powerhouse businesswomen lovingly known as “Mama Benz” (as a result of what else do you purchase with print cash however a Mercedes?), turned these patterns into cultural forex—every print carrying its personal identify, message, and temper.
At present, throughout the U.S. and past, African prints are proudly worn as daring symbols of heritage, identification, and elegance—and so they proceed to gentle up trend runways worldwide, proving as soon as once more that an excellent print by no means goes out of season.
African Head Wraps
Jele Head Wrap (Photograph credit score: Oladimeji Odunsi)
Certainly one of Africa’s fiercest trend exports? The top wrap—also called the top tie or head scarf, relying in your temper (or the climate). Worn for every little thing from grocery runs to grand ceremonies, these headdresses are greater than equipment—they’re statements, standing symbols, and generally lifesavers on a nasty hair day. Throughout the continent, they go by completely different names: the gele reigns supreme in West Africa, whereas in Southern Africa you’ll see the doek and duku including aptitude and a wholesome dose of angle to on a regular basis fashion.
Take a look at this cool YouTube video to learn to tie 10 completely different variations of head wraps.
African Gown Symbolism
Males’s agabada (Photograph credit score: Fikayo Aderoju) and Ladies’s gomesi (Picture credit score: mywedding.co.ug)
African clothes isn’t nearly trying fabulous (although it actually does that); it’s a full-on dialog in cloth kind. These daring patterns? They’re not random—they inform tales about religion, politics, and generally who you voted for. The colours are not any trend accident both: pink brings drama as the colour of loss of life, inexperienced is principally nature’s fertility emoji, white retains issues pure and correct, and blue wears its coronary heart on its sleeve as the colour of affection. And let’s not overlook the regional wardrobes—West African males glide by of their majestic agbadas, whereas their East African counterparts maintain it suave and breezy in kanzus. Neglect designer labels—these types are the heritage model. For ladies, it’s the gomesi and the kanga (a colourful piece of printed cotton cloth with a border that’s wrapped across the physique).
African American Design Pioneers
Zelda Barbour Wynn Valdes
Zelda Barbour Wynn Valdes. (Picture credit score: blackthen.com)
Zelda Barbour Wynn Valdes wasn’t only a designer — she was a one-woman trend revolution wrapped in satin and elegance. The primary African American trend and costume designer and the primary Black designer to open her personal store in 1948, Valdes arrange “Chez Zelda” proper on Broadway in New York Metropolis. And her shopper record? A who’s who of mid‑century icons: Dorothy Dandridge, Josephine Baker, Marian Anderson, Ella Fitzgerald, Mae West, Ruby Dee, Eartha Kitt, and Sarah Vaughan — principally, in the event you may command a stage or a display, you most likely wore Zelda.
Within the early Nineteen Fifties, Life journal dubbed Valdes the “Black Marilyn Monroe,” a title she earned not for appearing however for her skill to sculpt curves into couture. Then in 1958, when Hugh Hefner wanted somebody to dream up the primary Playboy Bunny costume, he known as Zelda. Her unique model? Taller ears, no frilly bow tie or cuffs — modern, daring, and pure Valdes, earlier than the Bunny hopped into pop‑tradition historical past.
Ann Lowe
Ann Lowe. (Picture credit score: Nationwide Museum of African American Historical past and Tradition)
Ann Lowe, typically acknowledged as the primary outstanding Black American designer, created couture-level robes for America’s social elite — together with Jacqueline Kennedy’s iconic 1953 wedding ceremony gown. Regardless of her distinctive expertise, rich purchasers regularly undervalued her work, haggling over costs and providing her solely a fraction of what they might readily pay white designers or French couturiers. Because of this, Lowe typically bore vital monetary losses on her commissions. The Kennedy wedding ceremony robe, particularly, proved disastrous: a plumbing leak destroyed the gown and all of the bridal attendants’ robes simply ten days earlier than the ceremony. Undeterred, Lowe and her crew remade every bit at her personal expense, a setback that price her over $2,000 — a loss she by no means disclosed to the Auchincloss household. Regardless of her artistry and perseverance, her contributions remained largely uncredited for many years.
Willi Smith and his mannequin sister Toukie Smith. (Picture credit score: Cooper Hewitt)
In 1976, designer Willi Smith didn’t simply launch a trend label — he launched a motion when he created WilliWear. By the mid-Nineteen Eighties, he wasn’t simply sketching; he was stacking — over $25 million in gross sales, to be precise. Smith earned his title as probably the most profitable African American designers in trend historical past, proving that nice fashion does pay the payments.
Quick ahead to 2020, when New York’s Cooper Hewitt Museum celebrated his genius with a retrospective exhibition titled Willi Smith: Road Couture — a becoming nod to the person who made downtown cool lengthy earlier than sneakers met the runway.
And right here’s a enjoyable private plot twist: again within the Nineteen Seventies, Willi himself rescued me from a cringe-worthy, tomato-red sunburn whereas I used to be roasting poolside (quick asleep) on the Taj Mahal Lodge in Bombay. Vogue savior by day, literal savior by pool — now that’s a full-service designer.
Tracy Reese
Tracy Reese. (Picture credit score: Dimitrios Kambouris)
Tracy Reese was breaking limitations earlier than it was trending. As the primary Black feminine designer to earn main recognition from the modern trend world, she launched her namesake label again in 1998—when dial-up web was nonetheless a factor. Now primarily based in Detroit, Reese has leveled up with a contemporary, ethically-minded model known as Hope for Flowers—as a result of apparently designing fabulous, size-inclusive garments and saving the planet is simply one other day on the workplace for her.
Virgil Abloh
Virgil Abloh 1980 -2023 (Picture credit score: Vogue.com)
Virgil Abloh was the uncommon form of designer who handled boundaries like non-compulsory equipment. Skilled as an architect (which explains why his hoodies had structural integrity), he constructed empires as a substitute of buildings—beginning with Pyrex Imaginative and prescient in 2012 and leveling as much as Off-White in 2013. Earlier than lengthy, he was directing menswear at Louis Vuitton, proving that streetwear couldn’t solely crash the gates of excessive trend but in addition redecorate the place. Abloh wasn’t simply blurring strains between trend, music, and design—he was doodling new ones in Helvetica and including zip ties for emphasis. His affect didn’t simply form wardrobes; it reshaped the very concept of what “luxurious” even meant.
Christopher John Rogers
Christopher John Rogers. (Picture credit score: Forbes.com)
Christopher John Rogers is a Black American designer from Baton Rouge, Louisiana, who principally took Crayola, opera costumes, and Southern church realness, put them in a blender, and known as it pragmatic glamour. He launched his namesake label in 2016 and, in trend years, went from “who’s that child within the nook?” to “entrance‑row or bust” as one among New York’s most acclaimed younger designers.
In 2019, he snatched the highest prize on the sixteenth CFDA/Vogue Vogue Fund, formally becoming a member of the cool‑youngsters desk alongside Proenza Schouler and Alexander Wang, however with approach higher coloration blocking. His shopper record reads just like the Met Gala seating chart: Beyoncé, Rihanna, Girl Gaga, Lizzo, Michelle Obama, Zendaya, Tracee Ellis Ross, Gabrielle Union, Lil Nas X, and Kamala Harris have all stepped out in his work like strolling exclamation factors. In actual fact, Kamala Harris even selected a vivid purple Christopher John Rogers coat and gown for the 2021 inauguration, saying to the world, “Sure, I’m making historical past—and I’m doing it in coloration.” Since then, he’s picked up the CFDA Womenswear Designer of the 12 months award and develop into an LVMH Prize finalist, firmly locking in his standing as one among modern
Black Historical past Month presents an opportunity to foreground Africa and African American trend designers. It has led to classroom and group packages that now combine matters like Afrofuturist trend, sustainable Black-led manufacturers, and Black trend “firsts,” serving to college students see trend as an area of resistance, identity-building, and cultural storytelling.
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